The “Darnley Portrait” of Elizabeth I of England. It was named after a previous owner. Probably painted from life, this portrait is the source of the face pattern called “The Mask of Youth” which would be used for authorized portraits of Elizabeth for decades to come. Recent research has shown the colours have faded. The oranges and browns would have been crimson red in Elizabeth’s time.
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The Garden of Paradise may be pleasant, but forget not the shade or the willow-tree and the fair margin of the fruitful field. Now, now while the rose is with us, sing her praise; now, while we are here to listen, Minstrel, strike the lute! For the burden or all thy songs has been that the present is all too short, and already the unknown future is upon us.
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Francois de Nome and Didier Barra (1590-1644)
View of Metz from the Bellecroix Hill
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Valentino Castle, Turin, Italy.
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Thou art but the glass, His is the face reflected in the mirror; nay, if thou lookest steadfastlty, thou shalt see that He is the mirror also.
– Jami’s Yusuf and Zuleikha
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“Jonathan Embraces David” from “Historiae Celebriores Veteris Testamenti Iconibus Representatae” by Caspar Luiken published 1712.
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Philip VI of Valois, from the Collection of the kings of France Jean du Tillet. National Library of France. Painting made after the engraved on the Great Seal of King picture. A medallion in the middle of the lower part of the border, this image of the royal-seal against.
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The secret of life is never to have an emotion that is unbecoming.
– Oscar Wilde, A Woman of No Importance
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Sebastian Vrancx (1573–1647)
Ice Pleasure on the City Dig
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View of Genoa by Christoforo de Grassi (after a drawing of 1481); Galata Museo del Mare, Genoa – 1591.
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