Cornelis van Haarlem, The Fall of Man, 1592
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A Sirnot Ett Blog.
Journey of the Magi
Cappella dei Magi, Palazzo Medici-Riccardi, Florence
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One day, a farmer’s horse ran away. His neighbors expressed sympathy, “What terrible luck that you lost your horse!” The farmer replied, “Maybe so, maybe not.”
A few days later, the horse returned, leading several wild horses. The neighbors said, “Your horse has returned, and brought more with him. What great fortune!” The farmer replied, “Maybe so, maybe not.”
Later that week, the farmer’s son was trying to break one of the wild horses and got thrown to the ground, breaking his leg. The villagers cried, “Your son broke his leg, what a calamity!” The farmer replied, “Maybe so, maybe not.”
A few weeks later, soldiers from the national army marched through town, conscripting all the able-bodied young men for the army. They did not take the farmer’s son because of his broken leg. Neighbours shouted, “Your boy is spared, what tremendous luck!” To which the farmer replied, “Maybe so, maybe not.”
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Young Knight in a Landscape (also known as Portrait of a Knight)
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The Book of Miracles that first surfaced a few years ago and recently made its way into an American private collection is one of the most spectacular new discoveries in the field of Renaissance art. The nearly complete surviving illustrated manuscript, which was created in the Swabian Imperial Free City of Augsburg around 1550, is composed of 169 pages with large-format illustrations in gouache and watercolor depicting wondrous and often eerie celestial phenomena, constellations, conflagrations, and floods as well as other catastrophes and occurrences. It deals with events ranging from the creation of the world and incidents drawn from the Old Testament, ancient tradition, and medieval chronicles to those that took place in the immediate present of the book’s author and, with the illustrations of the visionary Book of Revelation, even includes the future end of the world.
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Intérieur de la Cathédrale Saint-Caprais d’Agen
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“Man is the most courageous animal. Courage slays dizziness at the edge of the abyss. Courage slays even pity.”
– F. Nietzsche, Thus Spoke Zarathustra
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Stained glass Standesscheibe of Unterwalden (1564), now in Sułkowski castle in Bielsko-Biała (Poland).
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Attributed to Theodor Matham
(Dutch, Haarlem 1605 or 1606–1676 Amsterdam)
Artist: Formerly after Abraham Bloemaert (Netherlandish, Gorinchem 1566–1651 Utrecht)
Publisher: Jacob Matham (Netherlandish, Haarlem 1571–1631 Haarlem)
Medium: Etching and engraving
The Metropolitan Museum of Art
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Ambulatory in the Colosseum, Rome, Italy.
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